Channel Modes
Stereo, Dual, or Mid-Side. Glue Exactly Where You Want It.
Three modes, three completely different relationships between Channel A and Channel B. Stereo mode links both channels to Channel A's settings for classic linked bus glue, the whole mix moving and breathing as one. Dual mode cuts them fully loose - independent threshold, attack, release, ratio, saturation, and output on each side, so the left and right of a wide stereo source can be treated completely differently.
Mid-Side mode is where The New Yorker gets serious. Channel A becomes your mid signal, Channel B becomes your side, and suddenly you're compressing the center and the width independently. Glue the center hard for punch and mono compatibility while keeping the sides open and airy, or the reverse. Link ties both channels together when you want everything moving as one, and unties them the instant the material asks for something else.
- Stereo - Linked bus glue. One set of decisions, both channels moving together.
- Dual - Fully independent per-channel compression, left and right on their own terms.
- Mid-Side - Compress the center and the width separately. Serious stereo-field control.