VST3 and AU processors for Windows, macOS, and especially Linux.
Perpetual licenses, direct from the studio. Four are completely free.
West Coaster, Howdy Compressor, The New Yorker, and Magic Buss - opto, VCA, Vari-Mu, and multi-stage.
The Black Clamp, The Mad Scientist, Dualtronix, and Leveler Control - FET, tube, and two distinct opto circuits.
Speaker Breaker and Velvet Crush - the low end and the high end, both watched automatically.
VST3 for Windows, macOS & Linux. Perpetual license - and five that are completely free.
An all-in-one finishing console - nine processing sections from input to output, with an EQ display, reference player and loudness meters alongside the controls, all in one window.
Four complete compressors running at once - Channel 1, Channel 2, Mid and Side - each with its own FET, Opto, Vari-Mu or VCA character, Input, Output, Auto-Level and gain-reduction meter.
A mastering EQ with four complete rows at once - Channel 1, Channel 2, Mid and Side - each with a low cut, four parametric bands and a high cut, plus Link, Saturation, Oversampling, Delta, Gain Sync and dual VU meters.
A dynamic subsonic limiter that only steps in when sub-bass energy actually gets out of line, plus an independent static HPF and DC removal for when you need the floor sealed for real.
Five record equalization curves in one utility - RIAA, Columbia LP, NAB, AES, and Decca/FFRR 1951 - with true Encode/Decode inverses and a live PRE/POST curve visualization.
A peak clipper that shaves only the samples crossing the ceiling - real loudness gain without the squash a limiter gives you, with Hard/Soft Type, Oversampling, and a live two-color clip scope.
A high-frequency acceleration limiter that isolates harsh highs, cymbals, and sibilance, then reins them in with fast parallel correction instead of a static EQ cut.
A free dual-channel Class A tube preamp with Input, Output, Bass, and Treble on each side, a hidden coloring stage, and twenty factory presets.
A precise dual-channel tape machine with a real Input/Sync/Reproduce monitor path per channel - clean by default, unreasonable the moment you flip Uncalibrate.
A dual-channel tape machine with independent Record and Reproduce stages per side, each locked to reference or driven by hand.
A dual-channel tape machine with full REC, REP, BIAS, and HF Trim control on both sides, plus real modulated-delay wow and flutter.
A dual-channel opto bus compressor built for glue, not squash - real external sidechain, Mid-Side routing, and full technical disclosure.
A fast, punchy VCA-style dual-channel bus compressor with a pink-cat cowboy attitude and eleven factory presets that got out of hand.
A 2-channel Vari-Mu bus compressor with a full 4-band EQ per channel - glue and tone-shaping in the same signal path.
A complete kick drum channel strip - gate, EQ, transient shaping, compression, saturation, and a blendable sub generator.
A dual-channel opto leveling amplifier - two fully independent channels, Auto Level, and a genuine Comp/Limit switch.
Dual-channel Class A tape-preamp character that sounds better than bypass before you touch a knob. Character EQ recolors the whole plugin at once.
An opto-style leveler with Auto Gain Match - flip it on and the output holds steady while you dial in Peak Reduction, so you hear the compression, not the volume.
A dual-channel tube mic pre and compressor with a beefy Vari-Mu gain stage and a built-in 2-band EQ. Push the Input, feel the tube stage wake up.
A mastering-grade desktop audio player. Files, CDs, and a line input, all running through a real 31-band EQ and compressor/limiter. It just sounds better.
A tube-driven stereo 31-band 1/3-octave graphic EQ with ±24 dB per band and a COLOR knob that recolors the whole plugin live.
The gluiest mix glue you've ever heard. Dual-channel Vari-Mu compression with Stereo, Dual, and Mid-Side modes, built-in saturation, and real VU ballistics.
Flip it on. It already sounds better. Two independent channels of American tube preamp character. Grit on the drums. Teeth in the low end.
Let's Rock. Two independent tape machine channels. REC hits the iron, REP brings it back. The glue your tracks have been missing - free.
Gate, compressor, grind, doubler, delay, reverb, limiter - complete chain in one insert.
Circular autopanner with ITD, front-back EQ, and volume shaping. Real depth, not just left-right.
Dual-channel mastering EQ. Twelve bands, M/S mode, hardware weight, and Delta monitoring.
Opto comp, parametric EQ, dual de-esser, and doubler - one insert, every stage.
Dual-channel FET compression. Fast, punchy, forward.
Three compressors. One chain. FET punch, VCA glue, Vari-Mu warmth - in any order.
Parallel RMS compression. Input-driven saturation. Steamdriven dynamics.
Measure. Target. Deliver. True-peak limiting with one-click loudness targeting.
Six filters. A bus compressor. Zero dollars.
Six-band presence control. Air without the edge.
Five-band spectral correction. Keep your low end honest.
Six decades of mastering character. Pick the era, set the blend.
M Media Audio has worked in professional audio since 1994. Our plugins grow out of real-world mixing and mastering workflows, combining proven techniques with practical tools developed across decades of sessions. Each one is designed to solve problems cleanly, encourage creativity, and deliver reliable results in VST3 format.
Built in Austin by engineers who still sit in the chair. Every tool comes from an idea and solution heard in real sessions.
Pay once. Yours forever. No subscription, no renewal, no cloud dependency.
Studio, laptop, and backup machine.
Encrypted activation over HTTPS. No telemetry. Nothing phoning home during your session.
You email us, a human answers. No ticket queue. No knowledge base maze.
VST3, 64-bit on Windows 10/11, macOS 11 Big Sur or later, and Linux. AU format also available on macOS for Logic Pro, GarageBand, and MainStage. Works in any VST3-compatible host.
Never. One purchase, permanent license. No renewals, no monthly fees, no cloud dependency.
Enter your license key in the plugin after purchase. Activates over HTTPS in seconds.
Three simultaneous activations per license. Studio desktop, laptop, backup. Need to move a license? Email us.
30 days, no questions asked. Email us and we handle it the same day.
Audio demos are on each product page. All paid plugins run in demo mode before purchase - fully functional with a brief silence every 30 seconds.
Avid, ASG, Sony, Google, Focusrite, Pro Sound Effects, OWC and many more showcase their technologies and those that use it at the 13th annual gathering of sound for film and television professionals.
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The short answer: we don’t make AAX plugins, we like making tools people can actually afford, and Linux support makes our little black hearts...
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