Chamber 64

Professional Echo Chamber Reverb.
The Chamber Sound on Classic Records.

$19 Launch Price

3 Platforms

VST3 + AU on macOS

Chamber 64

$19, launch price through November 1, then $39. Perpetual license. Three activations.

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Launch Price - Through Nov 1 $19 Buy Now

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Try the Free Demo

A Speaker. A Room. A Microphone. Pure Magic.

Before digital reverbs, there were actual rooms.

Chamber 64 brings that wonderful old-school approach into your DAW. Drive a modeled speaker into nine unique room and wall combinations, move the microphones, and discover everything from tight, intimate reflections to enormous, beautifully textured tails - the same chain that gave classic records their chamber sound.

Three room sizes. Three wall materials. Speaker drive. Mic distance. Twenty factory presets.

$19. Launch price through November 1, then $39.

"Incredibly CPU light but beautiful and complex as any, this sounds like real reverb chambers."

- Philippe W., Producer / Engineer · Paris, France

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Drive the Speaker. Hear the Room Answer.

Push the Speaker knob and listen to the send break up exactly the way a real chamber speaker does. Pull Mic Distance back and forth and hear the early reflections step forward, then wash out wide.

Try Chamber 64 Free

No account required - we send the link to your email. Silences briefly every 30 seconds in demo mode.

Nine Rooms, Not One

Size and Walls Are Real Choices, Not Abstract Knobs.

Size sets Small, Medium or Large - the actual dimensions of the space. Walls sets Concrete, Tile or Plaster: Concrete bright and hard, Tile brightest and splashy, Plaster softer and darker. Nine real combinations, each one sounding like a different room, not a different setting on the same room.

Decay and Pre-Delay shape how the room behaves over time, from a tight 60s snare room to a long, washed send.

Size - Small / Medium / Large
Walls - Concrete / Tile / Plaster
Decay - 0.4 to 5 seconds

Chamber 64 Speaker and Mic Distance controls

The Speaker Is Part of the Sound

Drive It, and the Room Answers Back.

The send plays through a modeled speaker before it ever reaches the room - clean at low settings, genuinely breaking up as you push it, the same color a real chamber speaker adds when it's worked hard.

Mic Distance controls what a real chamber engineer would actually move: close for defined, present early reflections, far for a washed, wide tail. Tone and Low Cut shape the tail so it sits where it should.

Speaker - clean to driven, a real chamber color
Mic Distance - close and defined to far and washed
Tone / Low Cut - shapes the tail, keeps the low end clean

20 Places to Start

Built for Sessions, Not Just the Demo.

Vocal chamber, drum chamber, snare room, piano, strings, acoustic and electric guitar, and a few built to run long under a send/return bus. Every preset is a real starting point built from the actual controls, so once you land on one, keep turning knobs.